Amazing expressionist-type line work (but the story-telling's a bit jumbled in places). Sienkiewicz is almost restrained here and I think it brings out the best in his art. Thanks so much for posting.
If he seems restrained, it's because this is the transition point from where he was with MOON KNIGHT & NEW MUTANTS(having already transitioned to inky expressionism at that point from Neal Adams Clone) to the much more radical painterly work we know him better for. You can see in his sketchbooks then a lot of clues to that. If you look at this and pay attention to the shapes, designs, images, and then look at, say, STRAY TOASTERS, it becomes more apparent.
I bought a hardcover version for a few french francs when I was 12 or 13. It followed me through many movings and into adulthood until I met a Graffiti writer from Prague who was a hardcore Sienkiewicz fan. Since I wasn't into comics anymore I gave it to him.
Aratuk: thanks so much for the effort, chum, but I really CAN'T host or supply links to comics hosted on file-sharing sites. I reckon I'm pushing the limits as to what I can or can't get away with about as far as I can with the Street, and I think supplying links to file-sharing sites might just be that little step too far. once again, thanks for the effort, but, as I said in the previous comment, if anyone really wants it they've only got to search for it, it's not that hard to find. cheers, mate!
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10 comments:
I never knew this existed!
Thanks for the 'consistently' good posts Joe- well appreciated.
Amazing expressionist-type line work (but the story-telling's a bit jumbled in places). Sienkiewicz is almost restrained here and I think it brings out the best in his art. Thanks so much for posting.
Uhhhhhh.....Finch?!
damn! two years that's been up there! come on, guys! you could've told me!
well spotted, danijel. nice to know someone's paying bloody attention!
If he seems restrained, it's because this is the transition point from where he was with MOON KNIGHT & NEW MUTANTS(having already transitioned to inky expressionism at that point from Neal Adams Clone) to the much more radical painterly work we know him better for. You can see in his sketchbooks then a lot of clues to that. If you look at this and pay attention to the shapes, designs, images, and then look at, say, STRAY TOASTERS, it becomes more apparent.
I bought a hardcover version for a few french francs when I was 12 or 13. It followed me through many movings and into adulthood until I met a Graffiti writer from Prague who was a hardcore Sienkiewicz fan. Since I wasn't into comics anymore I gave it to him.
Maybe I was too kind.
Aniway, thanks for the memories.
Is this available as a PDF to download? Want it for my iBooks shelf!
Thanks for sharing this classic, though it would have been better to just share a rar files with all of the images.
Both Phaota & Anonymous, if you look online, you'll find a rar file easily enough, that's how I got it, but it's a cbr file, not a PDF.
Aratuk: thanks so much for the effort, chum, but I really CAN'T host or supply links to comics hosted on file-sharing sites. I reckon I'm pushing the limits as to what I can or can't get away with about as far as I can with the Street, and I think supplying links to file-sharing sites might just be that little step too far. once again, thanks for the effort, but, as I said in the previous comment, if anyone really wants it they've only got to search for it, it's not that hard to find. cheers, mate!
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